Showing posts with label Shilpa makes me run behind he. Show all posts
Showing posts with label Shilpa makes me run behind he. Show all posts

Rockstar Journal – The Making of Jordan

Note from the Director
Jordan, the protagonist, is inarticulate and can express himself only through music. His music is influenced by not only his situation but also by the music of the place he visits. So when Jordan is in Prague hanging about with gypsies, he imbibes their spirit and makes gypsy music. Likewise, when Jordan is thrown out of his house, he goes to Hazrat Nizamuddin Dargah, spends time with the Qawwals, absorbs their music and plays with them. Jordan’s journey is not only about understanding music, but also about understanding life. As Jordan’s popularity with the masses hits full force in the story, I felt there was a need to demonstrate this craze with an anthem song. Lyricist Irshad Kamil and I spent a lot of time just thinking of phrases, such as Ban jaa, Banjaara, before stumbling on Sadda Haq, Aithay Rakh ((It’s our right, keep it here). This fit well with my story. At that point in the film, Ranbir’s character is asking for his right to be himself. A human being is nature and society has no right to make him plastic. That eventually became the hook. I never have to fit songs in. They simply take the story forward. And just as you cast actors, you look for the best guy to compose that style of music. Most often, the best guy is Rahman sir . In this case, he very specifically was. . I was told Rahman sir doesn’t respect your time. We were supposed to have nine songs, but there are 14 tracks on the CD and around six extra pieces in the film; which makes it 20 in all. None of this has come late. I only had to tell him that I am shooting and the song would reach well in time. Ranbir, too learnt the guitar and spent several days and nights at Rahman’s studio.This way, he had greater ownership of the music while being on stage during shoots. He didn’t have to pretend he knew the music, because he actually did. The film wanted to get itself made. It decided when it wanted to get made, how it wanted to get made and by who. I decided to never to get in its way. Because I always knew that this film was bigger than me.
-Imtiaz Ali

Jordan’s Guitars Through the Years

As a young boy, Jordan used to spend most of his day with the owner of a music shop in Daryaganj, Delhi. Each day he would pick the same acoustic guitar and spend hours trying to understand its intricacies. Awestruck by his musical abilities, the owner gifts him the same guitar. (Not seen in the film).This is his first guitar.
After Jordan fails twice in the same class in college; his elder brother forces him to quit college as he wants him to join the family transport business. But Jordan had no interest in the business. In the ensuing fight, his brother breaks his guitar. Seeing how devastated her son is, Jordan’s mother gives him the money to buy another guitar. This guitar is the semi pro guitar which Jordan carries with him till the end.
His first semi acoustic electric guitar is gifted to him by Om Prakash Khatana, who runs the college canteen. This guitar is also used in his first ever song which is featured in the album ‘Sheher’ produced by Platinum music.
After Prague, Jordan buys a Gibson -339 semi acoustic guitar, because he wants to create an unique sound for the song ‘Saadda Haq’, with extended guitar solos which solidify his new iconic image. This song needs some heavy riffing and grungy tones, reflecting his state of mind at that point. It’s obvious now that Jordan selects a particular kind of guitar, as per the requirements of the song.
Jordan’s third album ‘Banjaranama’ has a Sufi sound and feel to it. For this album, Jordan uses a new guitar – a Gibson Lespaul, which takes his sound to another level.  Henceforth, some of his best solos are played on this guitar.
For ‘Nadaan Parinde’,  Jordan gets a custom made guitar with a falcon etched on it; because  in this phase of his journey he identifies himself with a bird in flight searching for inner peace. The falcon symbolizes Jordan’s inner soul that is suffering till it finds a landing. The music industry also recognizes Jordan as a falcon because of his fearless attitude and his soaring talent.

Jordan’s Look

Jordan’s changing attire defines the changes in his life.Jordan is attached to his memories. Every thought that has affected his life…every feeling that has stayed with him finds a place on his person – could be the clothes he wears or even on his guitar strap. Coming from a small middle class neighbourhood like Pitampura initially his clothes reflect the local desi style. He wears what he considers to be ‘rockstarish’  – tight jeans, hand knit colourful sweaters and so-called stylish shirts.  He never wears kurtas to the college thinking they are not cool enough. He’s nothing but a desperate wannabe.
Key Elements in Jordan’s Wardrobe
1. Kurtas: The kurtas make a comeback in his life when he no longer cares what people think of him. He’s in his own world.
2. Air Force Jacket: His fascination with the armed forces is evident in the clothes he wears throughout the film. In Kashmir he is seen wearing a denim Air Force jacket and a military helmet giving him a rugged vintage look.
3. German Military Helmet: The helmet he wears in Prague is a German military helmet with a peace sign. Even his special performance attire includes military style jackets and long coats.
4. Police Shirt: During the ‘Saadda Haq’ phase he wears a police shirt with a feather tied to it. Wearing the police shirt is an act of rebellion, a reaction to the corrupt system he’s seen closely in prison…
5. Nehru topi with badges : This comes from the influence of Ustad Jameel Khan who has always believed in Jordan and his music. The first time Jordan dons this headgear is while performing with the Ustad for the ‘Jugalbandi’ album. He continues wearing the Nehru cap on and off,whenever he feels the presence of the Ustad around him…
6. Sleeveless Qawwal Jackets: His connect with the qawwals is reflected in the sleeveless qawwal style jackets.
7. Prague Jester Jacket: The gypsies in Prague inspire him to add new elements to this jacket like vibrant colours and tassels and this is the perfect jacket for him when he’s roaming around like a vagabond.
8. Neckpiece: He still keeps a piece of his first broken guitar string and his first guitar pick on his neckpiece, amongst other things. The neckpiece was a gift given by Heer in Kashmir along with the ‘short and cool’ name Jordan. Her gift keeps all his memories tied together and close to him always. Every tiny memorabilia gets added to the neckpiece in his journey; including a small compass when he sets off as a travelling musician.

Jordan’s guitar strap

My guitar strap holds me and my music together. But more than that my guitar strap holds my memories together too…  I made this strap myself with a little help from my mother.  It broke once when my elder brother tried to snatch it from me in anger; but my mother helped me fix it using an old saree border she had. I don’t know if she did this to encourage my music; but I know that she did this because she could not bear to see me unhappy… The guitar strap became extra special after that.
Elements of Jordan’s Guitar Strap
1. Key: This key is of my trunk at home…which was once the only safe place to keep my most valuable things. My niece Bittu gifted me a small metal Bajrangbali which is tied to the key…
2. Indian Flag : The Indian flag found its place on the strap when I sang on stage for the first time on Independence day… but it faded with time…
3. My roll number in college: I found it on a small number plate and this too went on the guitar strap.
4. Single Earring: I had gone shopping with Heer in Kashmir when a shop lady gifted me an earring…  a single earring! It was on the strap for years till it fell down somewhere. I tried looking for it, but never found  it…
5. Rust Coloured Cloth: When the only family I had was Chandbhai’s  qawwali group at Hazrat Nizamuddin. He tied a rust coloured piece of cloth to my guitar strap.
6. Jai Mata Di Chunni: When Khatana Bhai got me to play in the neighborhood Jagraata,I got a Jai Mata Di chunni from them afterwards…Whenever I see that rust cloth and chunni on my guitar, I  feel the incredible energy of  devotees singing and praying  through the night …
7. Metal Falcon:  In Prague, I met some amazing Gypsy musicians… One of them gave me a small metal falcon, saying that I embodied the true nature and essence of the bird…that’s stayed  on the guitar strap as one of the most special memories of Prague and its people…
8. The Tibetan Flag:  This came on my strap at the Dharamshala concert where people really connected to the song ‘Saadda Haq’. I love the word ‘freedom’  and  identified with each and every one who was standing there and shouting for freedom…
9. Bronze Coins: A Buddhist monk tied a set of bronze coins on my strap as a blessing…
10. Freedom Tag :  Met a Rastafarian on my way to Shillong who gave me a tag that said Freedom…
11. Australian Mountaineering Badge: My encounter with a mountaineer in Austria was memorable..He had no toes but had the passion for climbing mountains… he gave me an Austrian Mountaineering badge for my strap and I played a song for him on that bus journey…
12. Star: A Russian soldier passed on a star to me outside the international airport after I performed for his battalion…
13. Butterfly Badge: A little girl in Laddakh gave me a butterfly badge…and this for me symbolizes the innocence and  beauty of that place and  its people…So many journeys, so many people, so many experiences…and I carry a piece of all of them on my guitar strap…


Hazrat Nizamuddin

You have to cover your head at the Dargaah. I came to know when I went to Hazrat Nizamuddin for the first time. I used a handkerchief. After I slept there for two nights, a fakir gave me a cloth. Something was written on it in urdu or Arabic – I didn’t know what. I stayed on. Two months passed. I would notice this man who came there sometimes – always very late at night. He would wear a saffron cap. He gave me a saffron piece of cloth. Then one day I left the dargaah.
Now I am a vagabond in this world. I am always travelling. I am always going somewhere, but I have nowhere to go. I perform on all kinds of stages, to all kinds of people. Sometimes I tie a cloth on my head, sometimes I don’t. But I feel that something from the dargaah is covering my head. At all times it is covering me.


The Legend of Hawaa Hawaa

A man called Sleepy John had a magic stick with which he could point in any direction and it would take him there. One day he said “Let me be instantly in the town where the king lives.” He found himself there on the instant, and he was told that the queen would every night wear out a dozen pairs of shoes, yet nobody was able to follow her track. John went to the King and offered to follow the queen. When the evening was come the queen went to bed in one room and John went to bed in the next room, through which the queen had to pass. He did not go to sleepbut when the queen was going by he pretended to be in a deep slumber… Then she took her twelve pairs of new shoes and off she went.
John got up, put his cap on, and pointed with his stick and said: “Let me be where the queen is.”
Now, when the queen came to a certain rock, the earth opened before her and two dragons came to meet her. John pointed his stick and said “Let me be where the queen is.” The queen was with a crowd of devils, they had a feast. Sleepy John was there too. When the banquet was at an end the devils began to dance with the queen, and they kept on dancing until the queen had worn out all her shoes. When her shoes were worn out, those two dragons took her on their backs again and brought her to the place where the earth had opened before her. John said: “Let me be where the queen is.” By this time she was walking on the earth again, and he followed her. In the morning the lords gathered together and the king asked whether any of them had tracked the queen. But none of them could say “Yes.” “Gracious Lord King, I did indeed track her, and I know that she used up those twelve pairs of shoes upon the green meadows in Hell.”
The queen, seeing that all was known, cried out: “Let the earth swallow me!” and she was swallowed by the earth.
Sleepy John got the half of the kingdom, and, when the king died, the other half too.

When Sameera almost drowned during TEZZ

While insiders are claiming that TEZZ is turning hotter as it approaches its release time period, one can well trust this statement to be indeed true. Reason being that Ajay Devgn would be seen in a stylish-n-cool avatar for this action flick which is said to be a remake of Japanese film THE BULLET TRAIN. Also with others like Zayed Khan and Sameera Reddy indulging in some dare devil action sequences as well there is some young blood which is adding on to the excitement.



download TEZZ wallpaper



No wonder, for Sameera it's case of a new world being explored since she could turn into a biker girl here, something that she was longing for ever since she turned an actress.

"My entire bike riding experience was simply crazy. I trained for 4-5 months on the bike and in fact Ratanji was worried that I may just injure myself since for first two weeks I was just falling off every now and then," laughs Sameera, "However after some more training, I took to bike riding like I was born to do it. This movie has taught me a lot of things that I had never done before; like for example holding my breath under water."

Sharing her experience around this adventure of hers, Sameera says, "There was this sequence where I was supposed to be trapped in this water rapid. It was so cold and I was specifically told that I had to hold a particular rock so that I am not swayed by water. However I was in my own masti and by mistake started floating away from the camera. It was really crazy but then let me admit that TEZZ has been one of the most physically challenging roles that I have ever done."

Also starring Kangna Ranaut, Boman Irani and Mohanlal, TEZZ releases all over on 26th January next year.

Do you want to know if lesbians simply need a “real man”?

Do you want to know if lesbians simply need a “real man”? The relationship between men and women also dictates the relationship towards lesbians.
The hate speech that lesbians deal with often shows the relationship towards women in general. This is worrying because such speeches are often one-sided and very chauvinistic. Many statements show that female subjugation to men is still deeply embedded in our subconscious. It’s interesting that men aren’t the only ones to cling to such beliefs. Before you open your mouth again, think about what you want to say – not only because of what you want to say about others, but mostly because of what this says about you.

Lesbians reject men

Some lesbians really are hostile towards men, but this is a minority of lesbians and it’s not right to make generalisations based on a minority. The conviction that lesbians reject men has another, deeper origin. It stems from the relationship between a heterosexual man and woman. Lesbians are women who want a sexual and emotional connection with other women. This is a simplified definition, without any unnecessary negative connotations about rejection and denial, which serves mostly to spread the idea that lesbians want to threaten the existing social order. Besides using this statement wrongly for lesbians, this way of teasing is also used on other women. The same words that lesbians hear, women with higher standards who don’t accept every man also hear. They’re also victims of hate speech and the source is the same. They’re often the targets of other men and other women. These women are talked about as thinking they’re better than other people, as being snobs and thinking they’re superior. It seems that the only real option for women is to be crazy about any testosterone on two legs.

A lesbian hasn’t found the right man yet

Lesbians can be cured by a good lover. We find two false beliefs in this statement. The first is that lesbianism is a disease that has to be cured. The other false belief it that the right lover cures women. The conviction that a lesbian just hasn’t met the right man yet clearly indicates that women are still considered passive recipients of what men give them and that sexuality is something a man does to a woman. An unsatisfied heterosexual woman also hasn’t found the right man yet. The general belief is: If a woman is unsatisfied sexually, she has to keep looking for a lover who will satisfy her. A good lover isn’t the solution (or cure) for lesbians or for heterosexual women. But it is true that we’re not compatible with all lovers. It’s also true that we could go to the end of the world and still wouldn’t find what we were looking for because the problem is in ourselves and our perception of ourselves as passive recipients. Just as lesbians aren’t sick, women who are looking for more in a man are also not sick. But, unfortunately, just like lesbians, they also represent a threat to the existing order. The same threat is also represented by women who actively seek men and are thus often considered to be tramps. Snow White was also not destined to enjoy herself with the seven dwarfs for too long. Soon a prince came along and turned her into a decent woman.

What do stereotypical convictions about lesbians tell us about the relationship towards women

Stereotypes about lesbians are maintained and encouraged by stereotypical convictions about women in general. Stereotypical convictions about lesbians actually stem from (are a consequence of) the stereotypical belief about men and women. These beliefs are based on female dependency on men. Not just men, but women have also internalised the dependency of their happiness and fulfilment with a good lover. Some classical fairy tales also tell us about what happens to women who wait for their saviours passively and then he comes. Read Sleeping Beauty, which was written 300 years ago, again. She was dead until he came along and gave her life. A wonderful summary of reality. It’s true that intercourse makes many problems disappear, but good intercourse doesn’t require an active man and a passive woman. Women are convinced that men are the ones who work in intercourse. Women expect intercourse to happen magically. If their lover is the right one, he’ll make them happy and fulfilled. Consequently, women are often at the mercy of men. They wait for their decision. Thus some women still can’t grasp that they have to seduce and be active in their lives. As a consequence we have a whole host of unsatisfied and angry women, who are convinced there’s something wrong with them if they can’t find satisfaction in the role they were assigned.Intimatemedicine.com

Antonio Banderas: Unmasked

Antonio Banderas will make your skin crawl in The Skin I Live In, the Pedro Almodovar revenge thriller. Then, vaulting from Skin to fur, he’ll elicit laughs from the kiddies as the voice of the titular feline in the animated Shrek spin-off, Puss In Boots. “This is what an actor wants to be doing,’’ Banderas says, his Spanish accent still thick after years of working primarily in America. “These two movies are absolutely different. Puss In Boots is pure entertainment that allows me the possibility of actually bringing some smiles to people. So many people are in stressed conditions nowadays, especially in Europe, and just to make them laugh is kind of a luxurious thing for me.” “The Skin I Live In actually explores the human condition and the complexities of the human soul,’’ he continues. “I play a horrible man, but I just tried to represent him with dignity and honesty.’’
Banderas and Almodovar hadn’t worked together in more than 20 years, since Women On The Verge Of A Nervous Breakdown (1988) and Tie Me Up, Tie Me Down (1990) helped establish Banderas as an international superstar and Almodovar as one of Europe’s leading filmmakers. The actor explains that Almodovar first approached him about The Skin I Live In in 2002, soon after the filmmaker had purchased the rights to the Thierry Jonquet novel.
The film is set in the very near future, 2012, but veers back and forth through time. It centres on Dr Robert Ledgard (Banderas), a respected Spanish plastic surgeon who, after the fiery disfigurement and death of his wife, breaks all ethical boundaries in an effort to create new skin. He works feverishly in a home laboratory, experimenting for years on a beautiful, imprisoned young woman named Vera (Elena Anaya), all the while seeking vengeance against Vincente (Jan Cornet), who sexually assaulted his mentally unstable teenage daughter, Norma (Blanca Suarez).
Also on the scene are the ultra-protective Marilia (Marisa Paredes), a servant who takes care of Ledgard and his home, and her son, Zeca (Roberto Alamo), an on-the-run thief who arrives at Robert’s house — dressed in a tiger costume — to hide from the police. Ultimately the characters and their respective story lines dovetail in ways that will disturb, titillate, enthrall and/or repulse moviegoers.
“I think revenge, for Ledgard, is just an excuse to initiate a path that is way darker. This is a monster. He is actually a psychopath’’, says Banderas, “If you remember the movie Alien (1979), the monster was not shown at all, and so you created a monster in your mind that was way bigger than anything anyone could build. Pedro wanted that.
“On the other hand, the character, he’s someone we have seen when, for example, the police arrest a serial killer. He’s found to be a a very nice guy. These kinds of killers, they live in society without being suspected of anything.”
After rising to prominence in Almodovar’s early films, the actor crossed the Atlantic to achieve Hollywood stardom with Philadelphia (1993), Evita (1996), The Mask Of Zorro (1998), Spy Kids (2001) and Shrek 2 (2004) and its 2007 and 2010 follow-ups. Since 1996 he also has been married to American actress Melanie Griffith.
Given the seismic shifts in their lives since Tie Me Up, Tie Me Down, it’s no surprise that Banderas uses the word “difficult”— albeit in the best sense — to describe his working relationship with Almodovar.
“To work with him is difficult, and thank God,’’ Banderas says. “He is very demanding of the actors and he is unbelievably precise, like no other director I’ve worked with. He’s precise about you moving one finger or your eyebrows, about the way you look, to that level of perfection. When I saw The Skin I Live In for the first time, I realised that he made me play notes I didn’t know I had.”
Banderas has completed several other films, including Steven Soderbergh’s Haywire, an action film. He also spent three days shooting a cameo role in the romantic comedy He Loves Me, in order to act alongside Annette Bening. When he’s not working, the actor can usually be found at home with Griffith and their daughter, 15-year-old Stella. Their family also includes 26-year-old Alexander and 22-year-old Dakota, Griffith’s children from previous relationships. Her substance-abuse battles have made news through the years, provoking speculation about the state of their marriage.
“The secret of being together is as simple and as complex as saying we love each other, and we have the strength to overcome all the crisis situations and problems we may face,” he says. l NYT Syndicate Ian Spelling

Miley Naa Miley Hum

Director: Tanveer Khan Cast: Chirag Paswan, Kangna Ranaut, Kabir Bedi, Poonam Dhillon, Sagarika Ghatge, Neeru Bajwa, Dalip Tahil
Indian Express Rating: *1/2
The kindest thing I can say about ‘Miley Naa Miley Tum’ is that it is not a disaster. That classification I have saved for the kind of film that has made me want to scram within minutes of getting into the theatre, of which there has been a deluge in the past few months. The debut feature of Chirag Paswan, son of Ram Vilas, is the kind of film that merely made me want to sink into my seat, every so often.
Chirag ( Paswan) has grown up torn between warring parents, the hard-working vineyard owner (Bedi) and the wealthy multi-millionaire businesswoman (Dhillon). He splits his time between the two, but his heart lies with the game of tennis. All he wants is to win the game, and his girl (Ranaut). In between, there are two pretty lasses to be thwarted: Mummyji’s choice is a short-skirted London-returnee (Ghatge); Daddyji wants a 'kukkad’-cooking, parandi-wearing 'kudi’ (Bajwa) as his 'bahu’.
Of course, game, set and match goes to struggling, klutzy model Anishka (Ranaut). Or is it Anushka? Given Ms Ranaut’s capacity for clear speech, that remains a puzzle.
Paswan Jr has nice hazel eyes, a worked-out bod, and is faintly passable in some scenes. Ranaut is, funnily enough, not as cringe-making in this as she was in her last outing ‘Rascals’, but that’s about all. The supporting cast is made to work hard. Bedi yells. Dhillon mutters. And Tahil shows up as a pug-wearing Sardar, whose job is to show mummyji and daddyji the error of their ways. We know that all’s well when they arrive at sonny boy's match, hand-in-hand. Just one last thing : the script being what it is, maybe the make-up could have been better. Pancake has been taken very seriously here indeed.

Anushka permits Sonakshi to date Ranveer

Anushka Sharma and Ranveer Singh are speculated to be couple. They have shared screen space in ‘Band Baaja Baraat’ and in various occasions spotted getting close to each other but the duo never declared their love in public and always maintained to be good friends. Reportedly, their alleged relationship has been broken up and lonely soul Ranveer went to Soankshi Sinha to get some solace.
Sonakshi too has some soft feeling towards Ranveer and she even said in an interview that she is fond of Ranveer and wished to date him. Hardly, did she knew that her wish will be heard by God so quickly, Anushka and Ranveer part ways and Sonakshi is now free to date her dream boy.
Rubbishing the report that Sonakshi and Anushka are in loggerheads as the ‘Dabangg’ actress came close to Ranveer, Anushka clarified, “Untrue. We are fine with each other. Are we are supposed to be at loggerheads because of a guy (Ranveer Singh)? It is so immature to fight with another girl for any guy. As I said in Karan Johar’s chat show, she is free to have Ranveer because I am not dating him.”

Well, now the equation is very clear, Anushka is not dating Ranveer and she has allowed Sonakshi to date her ex-flame.

Shilpa makes me run behind her, Raj

Shilpa’s influence on her businessman hubby Raj Kundra is clearly noticed. Just two years of happily married life and Raj is a changed person. He looks more fit and gone lean. He looks fitter, healthy by the grace of Shilpa. Shilpa Shetty is a fitness freak; she performs yoga regularly and also made Raj her follower.
“Shilpa makes me run behind her. Where ever she goes, I go and this in turn has made me fit and healthy,” jokes Raj.
Raj feels Shilpa is a perfect homemaker. “I love the food Shilpa prepares at home. Be it idli sambhar, dosas or the rotis she recently learnt to make. I must confess, she is the perfect partner to have- be it in life or in business,” Raj adds.
Shilpa has recently declared that she has taken a break from her acting career and would concentrate on her business and very soon would start her production company with Raj.
“We have finalised the script, the stars and the rest of the essentials for our first film. However, we shall divulge the details a little later. At the moment, I can only tell you that our film will have all the elements of a blockbuster- comedy, romance, thriller and entertainment, all in one.”

free counters
Related Posts Plugin for WordPress, Blogger...

Free SEO Tools

Submit ExpressSEO Services & Tools
Blogarama - The Blog Directory host gator coupons Submit Your Site To The Web's Top 50 Search Engines for Free! Website Thumbnail Provider